We specialize in cinematic color grading for brands and agencies, focusing on ad campaigns, product stories, and social media content. Whether it’s a one-off project or an episodic campaign, we bring your vision to life.

You purchase a block of hours (10, 20, or 50 hours) to use as needed across projects. Hours are valid for 12 months, offering flexibility for both immediate and future needs.

Absolutely! We provide regular updates and track your bucket hours so you always know the status of your project and the remaining time available.

No problem! You can easily top up with additional hours by purchasing another bucket. This ensures your project keeps moving forward seamlessly.

Yes, revisions count toward your bucket hours. This keeps the process straightforward and ensures you stay within your budget.

Turnaround depends on the project scope, but we provide updates within one business day of receiving a request. Our workflow is designed to prioritize efficiency without compromising quality.

Unused hours expire after 12 months to keep projects on track. We’ll remind you as your bucket approaches expiration so you can maximize your investment.

We start every project with a detailed consultation to understand your brand's identity and goals. We also use reference palettes and visuals to align our work with your vision.

We can accommodate rush projects depending on availability. Rush work may require a higher hourly rate or the purchase of an additional bucket.

During the consultation, we discuss your project’s scope, goals, and aesthetic preferences. We’ll also guide you through our bucket pricing and workflow to ensure we’re the right fit for your needs.

⁃ The Type of project

⁃ Exact Duration (if you can, include how many cuts)

⁃ Camera/s+codec used (specify if you shot in RAW)

⁃ Delivery format/s you’ll need

⁃ Anything that helps convey needs.

-Possibly link to a version of your project

-Grade references/stills

-Flag what requires extra attention

Lossless format: Quicktime Apple Prores HQ 422/444 or DNxHD

• Ensure its a clean output: no temp. corrections, graphics, transitions, titles, color adjustments, effects.

• Ensure you are not using proxies on your high quality export.

Or send all the original clips and the XML file of the project

Vision boards, pre-pro decks, brand guides, reference stills or videos from other films or photoshoots. Samples that are spot on with your vision work best. We do color tests! After you send over assets, I'll send you some stills to refine the look and translate your vision with maximum quality.

You can use OneDrive, Dropbox, WeTransfer, filemail, anything that works for you.

For revisions I use the frame.io or Wipster platforms. It allows you to mark up/annotate specific frames easily. Yes, in addition to the free revision provided in every package, additional revisions can be purchased as an extra service.

DaVinci Resolve Studio, Nobe Omniscope Pro, Film Convert, Frame.io, Ultrastudio 4Kmini, Blackmagic Design Micro Panel, Mac Studio, Blackmagic Cloud Pod, StreamDeck, X-rite calibrated LG-UHD monitors, bias lighting, iPad Pro in Reference Mode, QnAP 16-Bay SSD Drive ~$15K Setup

You don't need to know technical terms. I will translate your description to colors. Referencing one or a combination of the words red, magenta, blue, cyan, green, yellow, and orange with specifications in brightness and saturation works great. 

Adjusting shot luminance and chrominance of each image to create a consistent, neutral starting point via primary and secondary grades using techniques like normalization, balancing, shot matching, keying and masking.

Thoughtful aesthetic considerations to influence an audience’s emotional perception of an environment. Making a stylized look for your video, create a particular ambient and color palettes depending of the resources of the clip.

A variety of short form content for web: Advertising, Music Video, Shorts, Docs, please contact me so I can create a custom offer and discuss about color tests.

Yes! After you send over assets, I'll send you some stills to refine the look and translate your vision with maximum quality.

High quality LOG footage offers the most latitude and creative flexibility because it preserves highlights and shadows.

For Iphone: Shoot in Apple ProRes

Rec. 709 footage: Clipped data may be unrecoverable. Try and control lighting and settings during shoot. Corrections are possible but limited.

It depends. Make sure to budget enough time for color. This is the polishing of your final film/video. Creating consistency across different shots and a look that conveys emotion. You can expect status/work in progress updates within 24 hours.

Credit is optional: Digital Colorist: Sergio Fermin, Casita Film

We welcome any final versions or social edits for networking and promotion.

The color session happens in a dark, light-controlled room so I can judge color without bias. A proper color suite will have gentle 6500K lighting against a neutral mid-gray wall.

No, I will translate your descriptions to colors, but here are some high level terms:

A primary grade is a color effect that controls the entire frame.

A secondary grade is altering part of an image.

Creating a look: emotional and practical narrative implications of a scene

Conforming

-Scene Cut Detection

Color Correction:

-Primary Grade: Normalizing, Color Space & Transforms, White Balance, Balancing, Shot Matching

-Secondary Grading: Keying, Power Windows, External Mattes, Magic Masks

Color Grading

Look: Assessment for creating look or adjusting existing look. Lut refinement.

Effects:

-Noise Reduction, Glow, Grain, Stabilization,

Revisions:

-Frame.io

QC: Quality Control report

-Log of updates

No, Typically, project files are never included.

Every project is unique. It's important to know your requirements and it’s complexity to provide an accurate quote.